The Cat House Settlement by Morgan Ritter is a display of carpeted cat houses in a Seattle garage. Ritter has been developing this work for about three years.
Her cat houses are constructed from items one would typically find in a garage such as neglected furniture, ladders, pallets, and some obsolete domestic structures. The Cat House Settlement is a project of dissociation and fantasy, responding to her experiences of crises and disappointment in the human species.
The garage is favored over the gallery for its associations of intimate workshop space, safe area for scrappy prototyping and invention, and site for garage sales. All works were fabricated in her garage studio, hence the incorporation of some of her artwork as stand-ins for cats.
Supplementing this work is a list-poem that attempts to catalogue all the possible functions of art (a majority of which are critical, if not negative). The artist’s long-time fixation on cat houses is born from...
• an inclination to reject the art market proper.
• striving to genuinely make work for non-humans, with an interest in its inherent contradictions. Paradoxical is the human understanding of non-human desires, always limited by the human vocabulary of domestic material, structures, comfort… i.e. in the omnipresent use of beige carpet.
• a curiosity about structures outside of our own comprehension.
• an affinity for cats and interspecies interactions.
*All cat furniture is functional and available for purchase. Contact Morgan to discuss acquisition, shipping methods, and custom cat furniture commissions.
*For the duration of The Cat House Settlement, Veronica’s gallery space will house items previously found in the garage. This is not an exhibition.
*The production of the “Art as…” list poem and the cat furniture does not end when the exhibition comes to a close. Ritter will continue working on both projects for the remaining duration of her life.